The Thermals
recently gave us The Body, The Blood, The Machine. And it
rocks. It wallops you across the face with originality from it's vivid
album-starter "Here's Your Future" to the gripping closing
track, "I Hold the Sound"---the LP is more of a "paranoid
fantasy" than a full-fledged concept record. It's a story that
questions faith, the government, and relationships, accompanied by
high-powered guitars and cutting lyrics. A little over two years after
Fuckin A ripped you to shreds, this creative little gem is
where the Thermals are at now. Singer/guitarist Hutch Harris took
some time out to talk to Mute Noise about what they are up to...
Mute
Noise: Where are you guys right now?
Hutch:
We just got to Newport, Kentucky.
Mute
Noise: Excellent, how’s the tour going?
Hutch:
The tour’s really good. We love Cursive, it’s been awesome.
We’ve opened a lot of big shows on the east coast and west coast.
So, we just have a lot of places in the Midwest that we always go
to that we never play, so that’s been really cool. Like, Chicago,
Minneapolis, Philly, well that’s not true we played at the Troupe,
I don’t know, we’ve had amazing shows in Buffalo, Philly
was really good, Cleveland, Minneapolis, they’ve all been really
good.
Mute
Noise: Which of the new songs are becoming more of the crowd favorites,
that you’re getting the most reaction from?
Hutch:
The new songs get the best response, it’s like people know the
new songs better than anything. A lot of people know the ones from
MySpace. But, “A Pillar of Salt” and “Returning
to the Fold”, and “Here’s Your Future”, those
all get huge responses. “Pillar of Salt” is going over
really well. We had “Returning to the Fold” up early on
our MySpace, so earlier when we were touring, people were going crazy
for it. A lot of people knew it already.
Mute
Noise: And “Returning to the Fold” was the song of the
day on NPR a few weeks ago?
Hutch:
Yeah, that one was one of my favorite reviews that we got, it was
really cool.
Mute
Noise: Great, so, the Microsoft Zune, I guess is preloaded with “A
Pillar of Salt” , have you heard about the Zune, are you planning
on getting one?
Hutch:
I should get a free one, I think. You would think. Did it come out
already?
Mute
Noise: Before Christmas, it’s supposed to come out.
Hutch:
Yeah, yeah, well, I’m hoping they fucking throw us some. I don’t
really know that much about it, except that we’re on there.
Mute
Noise: Do you already have an iPod?
Hutch:
Yeah, yeah, I have the mini, we have a couple in the van, I just have
a mini.
Mute
Noise: Cool. Well, the new album, it’s a lot clearer sounding
than some of the past records, as far as just clarity especially ballad-type
songs like “Test Pattern”, but was it a conscious decision
that you wanted the new record to sound like that, or was it a natural
progression?
Hutch:
It’s totally both. It’s natural for bands to keep having
better produced records as you go along, especially when you start
where we started, on a four-track. And then also for us, we just wanted
each record to sound different, no matter how it’s produced,
you know the songs are pretty similar but the styles are totally different.
Mute
Noise: Definitely. Also, there aren’t as many subtleties on
the album. I mean, it’s not like you’re talking about
things you’ve never talked about before on a record.
Hutch:
You know we never have a ton of time, so it’s always pretty
urgent, we’re working quickly. About as quickly as we can.
Mute
Noise: Right, and not even just with the recording process, but with
the messages of theses songs, was it something that you felt like
you needed to get it out right away?
Hutch:
Maybe for myself. I don’t know, it was just interesting to me
as a fictional story, and I just got excited about the concept of
it. More than I felt it being urgent, I think it’s timely for
sure, but I don’t feel like it’s preachy, it’s more
of a story, so I wasn’t like urgently trying to get the message
out.
Mute
Noise: How long did it take, because I know you took a lot more time
with the lyrics, how long was the writing process?
Hutch:
It was probably a good three or four months. That’s a really
long time for me, and I was really proud at the end of it.
Mute
Noise: Of course you didn’t swear on this album, was that just
like an exercise in creativity, or so you could get emotion out through
different ways. But is that something that you would keep doing in
future recordings?
Hutch:
Yeah, I really don’t think there will be much swearing on the
next record either. I think it’s more inclusive to not have
swearing in it], and also I don’t need it as much. It’s
something that we’ve done, you know Fuckin’ A, was filled
with cursing, so I feel like I got a lot of it out, I guess [laughs].
Mute
Noise: On “St. Rosa and the Swallows”, I like the lyric
where you mention “days in auto mode, days where there’s
nothing to show” How would you describe a day like that?
Hutch:
A day where maybe you wake up at four in the afternoon, because you
got too drunk the night before [laughs]. Or just a day where you feel
totally uninspired. It’s about depression, and about being lonely.
Mute
Noise: Excellent. I wanted to talk to you about the video for “A
Pillar of Salt”…is that you taking a beer bong in the
video?
Hutch:
Yeah, that’s funny, that does have to get edited for the MTV
cut. But yeah, there’s a couple of beer-bongings in there, but
one, the crew did at the end of the first day. Kathy poured one for
me. I don’t think I’d ever done one like that before,
it was pretty good though.
Mute
Noise: Where did you make the video at?
Hutch:
At this place called Gear Head, in South Beach Portland. I like having
videos, but it takes a lot of time and planning and stuff. I don’t
know, I’d rather be playing shows and recording. I don’t
totally love [the process], but we liked the finished project.
Mute
Noise: How soon are you looking to record a follow-up to this record,
are you guys more focused on touring right now, or do you have a plan
for a new record on the horizon?
Hutch:
We have some songs started. Kathy’s been writing a lot. Kathy
and I have already started working on new songs. We’re going
to be touring through next summer. And hopefully we’ll be able
to write a lot, hopefully by the early part of next year we can write,
and then do a recording next year.
Mute
Noise: Great, I’m looking forward to it. One last question,
you’re not playing a show on Halloween, do you have any big
plans for Halloween?
Hutch:
We are just fucking driving our asses off. We have our last show in
Vegas, so we have two days to get home to Portland, it’s like
20 hours worth of driving, and then we’re just home that night,
and then fly to New York the very next morning for CMJ. So we’re
just going to be racing around, maybe we’ll wear costumes in
the car [laughs].
Also,
check out if the Thermals are coming to your city. For more information
check out their MySpace
page. They just announced a string of Euro dates:
10/8/2006- Lawerence,
KS
10/10/2006 - Houston, TX
10/11/2006 - Denton, TX
10/12/2006 - Austin, TX
10/13/2006 - Norman, OK
10/15/2006 - Denver, CO
10/17/2006 - Salt Lake City, UT
10/18/2006 - Boise, ID
10/20/2006 - Seattle, WA
10/21/2006 - Portland, OR
10/23/2006 - San Francisco, CA
10/26/2006 - Los Angeles, CA
10/27/2006 - San Diego, CA
10/28/2006 - Pomona, CA
10/29/2006 - Las Vegas, NV
11/2/2006 - New York City, NY
11/3/2006 - New York City, NY
11/23/2006 - Tilburg
11/24/2006 - Gronigen
11/25/2006 - Utrecht
11/26/2006 - London
11/27/2006 - Leeds
11/28/2006 - Glasgow
11/29/2006 - Belfast
11/30/2006 - Dublin
12/2/2006 - Paris
12/4/2006 - Zurich
12/6/2006 - Nurnberg
12/7/2006 - Wien
12/9/2006 - Muenchen
12/10/2006 - Frankfurt
12/11/2006 - Berlin
12/13/2006 - Bothenburg
12/14/2006 - Stolkholm
12/15/2006 - Oslo
12/16/2006 - Copenhagen
12/17/2006 - Hamburg
12/19/2006 - Koeln